Arts & Crafts
Nathalie Sanche / Angelo Sorrentino
Sculpture-Cabinetmaking
SITE # ??
227 Samuel-Hoyt, Magog, Québec
phone : 819-868-0094
email : sorrentinosanche@cgocable.ca
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the artist's web site
The works by Nathalie Sanche and Angelo Sorrentino fall into a category all their own, between art and furniture.
The pieces bear witness to the freedom of these sculptor-woodworkers, craft artists in wood and metal; their creations
call out for the abolition of artistic categories, in the same way as the English creators of the Arts & Crafts movement
of the 19th century or the French and Belgian representatives of the Art Nouveau movement of 1900.
Nathalie Sanche handles the casting of metal with strength and delicacy, and Angelo Sorrentino
draws on the physical capacities of wood. Anthropomorphism, the life of forms cloaked as if wrapped in their own dynamism,
the love of the curve and their audacious association of colour and materials: these are characteristics of the art-furniture
of Nathalie Sanche and Angelo Sorrentino.
Their chests of drawers, many of which are in the shape of “women-drawers”, are inspired by
small, prehistoric fertility statues, with wide hips and ample breasts — remind us of the generosity of Mother Earth
and also the Three Graces of Graeco-Roman mythology (Euphrosyne, Thalia and Aglaia), symbols of radiance, joy and
fruitfulness. As though drunk with happiness, they are, in the works of these artists, looking for a higher truth than
they find in themselves, in the chests of drawers, from which they free themselves...
So, arms and legs wave entrancingly from a high chest of drawers made of maple and exotic woods:
between sculpture and furniture, En confiance! or Take this moment and make it still! call upon the viewer’s imagination.
A female figure sculpted of aluminum balances on a on a sensuous, tilting chest of drawers, proclaiming that she is Free
free free! On tiptoe, another stretches, a chest-evening gown (Limpid and Clear!). Added to the difficulty of harmonizing
forms is the technical challenge: curving the maple or exotic wood, handling the subtle cuts in the material, assembling
the metal and wood, achieving a perilous balance in each piece.
These same concerns are found in the monumental aluminum sculptures of Nathalie Sanche and
Angelo Sorrentino. Their figures on tiptoe seem to be carried away by the abandoned movement of their forms, like an
extravagant dance, caught in the the eye of the sculptors. Les Âmes sœurs or Hourra ! J'ai atteint ma plus grande victoire !
are open forms that take shape when you look at them. These works respond with great plasticity to their titles, full of
gaiety and punctuated with exclamation marks: Enfin libre !, Que la lumière passe !, Danse sur l'eau !. The smaller, more
accessible sculptures by Nathalie Sanche and Angelo Sorrentino are like an interior monologue to joy (L'Envol, Le Ciel en moi !)
or a person’s purest thoughts (Avec douceur, Enfin ! J'ai trouvé en moi).
From the meeting of these two artists and two artistic techniques is born an art form at once exuberant
and joyful, ecstatic, surreal and, in the image of these women-drawers with their generous curves, free of complexes.
